Back to the top
Julia Bullock sits on a red brick window ledge smiling and wearing a lavender sleeveless blouse, black tapered pants, and crystal and diamond earrings.

Liceu debut in European premiere of Antony & Cleopatra

John Adams composed Antony & Cleopatra for the centennial of the San Francisco Opera, where it received its world premiere production last year. A co-commission and co-production with Barcelona’s Gran Teatre del Liceu and New York’s Metropolitan Opera, the two-act opera features a libretto adapted from Shakespeare’s play by the composer himself. With direction by Elkhanah Pulitzer and dramaturgy by Lucia Scheckner, the...

A profile of Julia Bullock, where she wears a black dress, pearl ring and earrings, leaning forward and smiling.

Recitals at Carnegie Hall, Park Avenue Armory, Kimmel Center & more

Describing Bullock in recital, Opera News writes: “Bullock’s radiant soprano shines brightly and unfailingly. She also summons a rich, earthy, mezzo-ish quality in her low register. Most compellingly, however, she communicates intense, authentic feeling, as if she were singing right from her soul.” This fall, the singer joins pianist John Arida in the beautifully restored and intimate space of...

Notes on Bonds and Gershwin

I love George Gershwin and Margaret Bonds. These two  American composers wrote in popular and classical musical idioms ranging from operas to concertos, theater pieces, solo instrumental music to symphonic works, and song literature. It is no secret that Gershwin was inspired by Black artists and the art of B/black people. His opera, “Porgy and Bess” is maybe the most explicit example of this. While I’ve never sensed that Gershwin intended to exploit the art of Black American people — in fact, when considering the opera, “Porgy and Bess,” I believe his intention was to give distinctive voice to each......

Messiaen’s Harawi with AMOC in Belgium and Germany

On May 5 our production of Olivier Messiaen’s HARAWI with American Modern Opera Company will make its debut at De Singel International Arts Centre in Antwerp, Belgium. Harawi explores dichotomies: life and death, pain and joy, spirituality and sensuality, sacrifice and preservation, fulfillment and loss. Messiaen seems to be asking from a place of personal grief: how do you stay connected to someone you loved while the accumulated memories of your relationship begin to fade or drift? How do you recover and move on? HARAWI then heads to Erholungshaus in Leverkusen, Germany on May 7. Our short tour of Olivier Messiaen’s......