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Considerations of Cleopatra and the opera (or “sung drama”) Antony & Cleopatra

Libretto adapted by John Adams, Elkhanah Pulitzer and Lucia Scheckner from Shakespeare, Plutarch, Virgil and Dryden. Music by John Adams. “Age cannot wither her, nor custom stale her infinite variety”  — William Shakespeare (1564–1616), describing Cleopatra in Antony & Cleopatra" Cleopatra VII (69BCE–30BCE) devoted her life to learning and experimentation; her scholastic interests included science, philosophy, math and linguistics. With an insatiable curiosity that was supported by ample resources in every respect, she became very ambitious, which was of course perceived as a threat by those concerned about her influence and the power she possessed, or could gain, through political......

Julia Bullock sits on a red brick window ledge smiling and wearing a lavender sleeveless blouse, black tapered pants, and crystal and diamond earrings.

Liceu debut in European premiere of Antony & Cleopatra

John Adams composed Antony & Cleopatra for the centennial of the San Francisco Opera, where it received its world premiere production last year. A co-commission and co-production with Barcelona’s Gran Teatre del Liceu and New York’s Metropolitan Opera, the two-act opera features a libretto adapted from Shakespeare’s play by the composer himself. With direction by Elkhanah Pulitzer and dramaturgy by Lucia Scheckner, the...

A profile of Julia Bullock, where she wears a black dress, pearl ring and earrings, leaning forward and smiling.

Recitals at Carnegie Hall, Park Avenue Armory, Kimmel Center & more

Describing Bullock in recital, Opera News writes: “Bullock’s radiant soprano shines brightly and unfailingly. She also summons a rich, earthy, mezzo-ish quality in her low register. Most compellingly, however, she communicates intense, authentic feeling, as if she were singing right from her soul.” This fall, the singer joins pianist John Arida in the beautifully restored and intimate space of...

Notes on Bonds and Gershwin

I love George Gershwin and Margaret Bonds. These two  American composers wrote in popular and classical musical idioms ranging from operas to concertos, theater pieces, solo instrumental music to symphonic works, and song literature. It is no secret that Gershwin was inspired by Black artists and the art of B/black people. His opera, “Porgy and Bess” is maybe the most explicit example of this. While I’ve never sensed that Gershwin intended to exploit the art of Black American people — in fact, when considering the opera, “Porgy and Bess,” I believe his intention was to give distinctive voice to each......